极具大师气象的古典杰作，黑白的色调将一切衬得冷酷且遥远，如同片中白雪将罪恶覆盖.     白茫茫之下，孰知有何在滋长蔓延.     强势的父权和神权的双重禁锢，贵族制度的迫压，讲求纪律性等等将暴力合理化，也凭此牵连出稍作掩盖的纳粹主题.     这是哈内克电影语言最丰富的一部电影，并与伯格曼有扯不断的联系.     "Argento left me free to create a color symphony following only my emotion and taste," says Tovoli, "I believe it is this human secret, not a technical one, that is behind the lasting long life of Suspiria." （影史上Technicolor Rome接受製作的最後一部dye-transfer項目.     "More red! More red!" Tovoli在片場大喊，而演員們擔心自己被強烈的近燈光+三原色濾紙燒傷.     又執著又迷人.